Dress and adornmentSoutheast Asia
Acheik
In its own language: အချိတ်
A Burmese silk weave of waves and stripes, made with up to 200 shuttles

Acheik is a woven silk pattern from Myanmar, worked in long waves, stripe bands and arabesque detail. Weavers in Amarapura and Wundwin use rows of shuttles, sometimes more than a hundred, to build the design. The cloth goes into the paso worn by men and the htamein worn by women, and it was once reserved for the royal court.
Acheik is a woven silk pattern from Myanmar, known for long interlocking waves and bands of stripe, finished with arabesque motifs. Cloth of this kind is made into the paso worn by men and the htamein worn by women. Its weaving needs many shuttles and more than one pair of hands, and under the Konbaung dynasty the right to wear it was limited to the royal court and its officials.
What it is
Acheik is the Burmese name for a woven pattern of long waves broken by horizontal stripe bands, with arabesque detail added inside the curves. The fuller name, luntaya acheik, points to the tooling behind it: luntaya means a hundred shuttles, and a single length can call for 50 to 200 of them, each carrying a different coloured silk. The work takes at least two weavers at the loom. Acheik cloth is most often made into a paso, the wrap men wear, or a htamein, the skirt-like garment worn by women.
Origins and history
Weaving of acheik is traced to Amarapura, near the Pahtodawgyi pagoda. One account says the word comes from Letcheik Row, the quarter where the weavers lived; before that the pattern was called waik, after its zig-zag. According to some sources, Manipuri weavers brought the design in the late 1700s, though no Manipuri cloth closely matches it. Others link the waves to Neolithic motifs and to natural shapes such as clouds and water, or to gifts sent to the Burmese court. Designs of this family appear on Pyu pottery and on Bagan-era temple walls.
How it is woven
The loom carries many shuttles, and two weavers sit at it together, passing and locking the colours so the wave shapes stay continuous across the cloth. Because each shade needs its own shuttle, the work is slow and costly. Colour choices for acheik are bold and contrasting but drawn from a narrow range, which makes the surface appear to shift and shimmer in the light, what the sources call a trompe-l'oeil effect. Men wear the plainer versions, with zig-zag, cable or interlocking lappet motifs; cloth for women carries softer undulating waves with floral or creeper arabesques.
Today and change
Amarapura and Wundwin are still the main places where acheik is woven domestically. The trade is a cottage industry, meaning much of it happens in small workshops and homes rather than factories, and it has been shaken by cheaper machine-made copies produced in China and India. Under the Konbaung dynasty, before those changes, the pattern was restricted by sumptuary laws, rules that limited who might wear it. Only members of the royal court, officials and their followers were allowed acheik clothing. Those rules no longer apply, and weavers continue to make cloth for paso and htamein.
How Acheik is kept
Two weavers or more work the loom together. Each shuttle holds one colour of silk, and the weavers pass and lock them in sequence so that the waves and stripe bands stay unbroken across the width of the cloth. Because every shade needs its own shuttle, a single piece can call for 50 to 200 of them, which is why the work is slow and expensive. The finished acheik cloth is then cut and sewn into a paso for men or a htamein for women. Amarapura and Wundwin are the main centres where this continues.
When and where
Acheik belongs to Myanmar. Weaving is traced to Amarapura, near the Pahtodawgyi pagoda, and Amarapura and Wundwin are still the main centres of the craft. Older designs of the same family appear on pottery from the Pyu city states and on wall paintings from the Bagan Kingdom. Cheaper machine-made copies from China and India now compete with the domestic trade.
What Acheik means
For those who wear it, acheik carries a memory of the Burmese court. Under the Konbaung dynasty, rules known as sumptuary laws set out who was permitted to wear it, and the pattern belonged to royalty, officials and their entourages. Some suggest the waves draw on Neolithic motifs and on natural phenomena such as water, clouds and the plants around the weavers, though this is offered as one possible inspiration rather than a settled point. The shimmering surface, made by holding bold colours within a narrow range, gives the cloth a shifting quality.


Questions people ask about Acheik
What is acheik?
Acheik is a woven textile pattern from Myanmar. It combines long waves with horizontal stripe bands and arabesque detail. The fuller name luntaya acheik refers to the weaving itself, since luntaya means a hundred shuttles. The cloth is used chiefly for men's paso and women's htamein.
Where is acheik woven?
Amarapura is where the weaving is said to have started, close to the Pahtodawgyi pagoda, and Amarapura and Wundwin remain the main centres inside Myanmar. Cheap factory-produced imitations made in China and India have cut into that domestic trade.
Why does acheik take so long to make?
A single acheik cloth can need anywhere from 50 to 200 shuttles, each loaded with a different coloured silk. At least two weavers work together to manage them. That combination of materials and hands makes the cloth expensive to produce.
Was acheik always for everyone?
No. Under the Konbaung dynasty, sumptuary laws controlled who could wear acheik clothing. It belonged to members of the royal court, to officials and to the entourages who accompanied them. Designs in this style are older than that, appearing on Pyu pottery and on Bagan temple wall paintings.
See also
LongyiA tube of cloth worn from waist to feet in Myanmar, folded shut with no knotGood reading and sources
The facts on this page come from the Wikipedia article "Acheik", written by its contributors and used under the CC BY-SA 4.0 licence, and from its Wikidata record (CC0). EveryParampara rewrote the text in its own words, with AI assistance, and compares every page with the article to make sure no passage is copied. It may be reused under the same CC BY-SA 4.0 licence with a link back.
It may contain mistakes. Traditions differ from one family, village and community to the next, and the people who keep them know them best. If something is wrong, tell us. Last refreshed 2026-10-09.
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